Scotland’s Contemporary Music Ensemble
Since its formation in 2008, Red Note Ensemble has taken up a leadership position as Scotland’s contemporary music ensemble, performing and developing an extensive, highly-varied and critically-acclaimed programme of new music.
Since its formation Red Note Ensemble has taken up a leadership position as Scotland’s contemporary music ensemble, performing and developing an extensive, highly varied and critically-acclaimed programme of new music to the highest standards, and taking new music out to audiences across Scotland and internationally.
Red Note performs the established classics of contemporary music, commissions new music, develops the work of new and emerging composers and performers from Scotland and around the world, and finds new spaces and new ways of performing contemporary music to attract new audiences. Within Scotland the ensemble has performed from the Outer Hebrides to the Borders in concert halls, bothies, pubs, clubs and aircraft hangars, amongst other unusual settings. Outwith the UK it has a growing international reputation, performing to great acclaim at festivals in France, Germany, Belgium, Holland and Australia in recent years.
The ensemble also undertakes an extensive programme of Access, Engagement and Participation (AEP) work, focusing particularly upon working with younger and older people, people with multiple disabilities, people living in areas of multiple deprivation, and also working to address inequalities of access and representation due to race/ethnicity and gender imbalances. We also undertake an extensive performer and composer development programme within schools, universities and conservatoires nationally and internationally.
As part of our core programme, we run an informal new music series, Noisy Nights, featuring new works from emerging and amateur composers selected from an open call.
Red Note is Associate Ensemble of the soundfestival in Aberdeen where we perform each year. We also work with them on composer development opportunities with the Go Compose! and Composer Development Workshops programme.
We are also Associate Contemporary Ensemble at the Royal Conservatoire of Scotland in Glasgow where we take parts in programmes such as the Leverhulme Conducting Fellowship and PLUG festival.
We regularly perform at hcmf// and Lammermuir Festival and collaborate with organisations such as Artlink.
Red Note is a Delphian Records recording artist, releasing CDs of music by Eddie McGuire, John McLeod, David Wilde and Lyell Cresswell and James Dillon.
Red Note is supported by Creative Scotland and is a PRS Foundation Talent Development Partner.
“The premiere was delivered with superb focus and intensity by Scotland’s top contemporary music ensemble, Red Note, who seem incapable of being dazed by anything and who add their own wit and bright spirit to whatever they tackle” Kate Molleson, The Herald
“Red Note Ensemble’s blistering account of three radical masterpieces….a magnificent achievement in dazzling venue” David Kettle, The Scotsman
“Red Note Ensemble is a Scottish success story.” Anna Picard, The Times
“Red Note Ensemble, superb Scottish specialists in the contemporary, deliver ever piece with precision and relish.” BBC Music Magazine
“(Red Note’s pianist) Simon Smith knocked off outrageously elaborate figuration as though a tune on a pub piano.” Paul Driver, Sunday Times
“All gratitude to Red Note Ensemble who, in high-definition audio, perform (James Dillon’s) commissioned works with razor precision” Liam Cagney, Gramophone
Composer John Harris is artistic director and chief executive of the Red Note Ensemble. John was appointed Festival Director of New Music Dublin in 2017; he was previously artistic director of the Paragon Ensemble and general manager of the Hebrides Ensemble. His work includes operas, chamber music, theater music and music for film, including work for Scottish Opera, the Sound Festival Aberdeen, Tapestry Opera Toronto, the Royal Shakespeare Company and Channel 4.
Louise Martin is Director of Access, Engagement and Participation responsible for the outreach and creative learning programme, finding underserved audiences and new ways of bringing Red Note’s music to them and engaging with them. Louise worked as a high school music teacher before running away with the circus, where she branched out from classical cello and piano into rock, punk, ska, country, theremin, musical saw and stilt-walking.
To contact Louise Martin louise[at]rednoteensemble.com
Following postgraduate MMus study in Ethnomusicology, and Music in the Community, she settled back in Edinburgh. She now works as a freelance musician in a variety of contexts. Louise has led creative music projects for organisations such as East Lothian and Highland Councils, Royal Lyceum Theatre, the BBC Scottish Symphony Orchestra and Scottish Ensemble; has taught Music in the Community at Edinburgh University and Napier University; has organised education work for the Scottish Chamber Orchestra; works with adult amateur musicians as Musical Director of the Merchant Sinfonia (Glasgow) and Stockbridge and New Town Community Orchestra (Edinburgh); and plays cello and musical saw with the pan-European band La Banda Europa.
Sarah first joined the team as our admin intern and Admin and Communications Coordinator, and has now taken up her role as General Manager. She has completed her studies at Queen Margaret University on the MA Arts, Festival and Cultural Management course. Sarah provides day-to-day support in the office, helping organise upcoming projects, meetings and general office management.
To contact Sarah Mills sarah[at]rednoteensemble.com
Originally from Northern Ireland, Sarah moved to Glasgow in 2016 to study Music at the University of Glasgow, where she graduated with Honours in 2020. This is where she gained a great appreciation for contemporary repertoire, as well as exploring access and education in music. Alongside her main studies in performance as a classical singer, Sarah had the opportunity to study under the tutelage of composers Bill Sweeney, Jane Stanley and Kevin Leomo.
After her experience as Director of Performing Arts with the Camp America Summer Scheme, alongside her other community based arts projects, Sarah decided to pursue a career in arts management, leading to her studies at QMU. From this, she has developed a wide range of skills in project management, marketing and strategic planning as well as critically reflecting on contemporary issues facing the cultural industry.
Originally from France, Flore is the Administration and Marketing Coordinator at Red Note.
To contact Flore Ducasse admin[at]rednoteensemble.com
Flore studied Economics and then completed a Master’s in Arts Management in Paris in 2020. After working as a Programme Coordinator at the Palace of Versailles she moved to Ireland to be the Coordinator of the Cork French Film festival and Programme Coordinator of the Alliance francaise de Cork. After these experiences Flore moved from France and is now living in Glasgow.
Fiona started her career as a producer/director in corporate communications working for clients that included Chase, BP, Vickers and Swiss Re. She then moved into a marketing role as Head of Marketing for a group of five companies before relocating to Scotland.
Here she has worked in the public and private sector including as Depute Director Corporate Communications at the University of Glasgow, Head of Marketing at the Royal Conservatoire of Scotland and currently Marketing Director at Strathallan School in Perthshire.
In her spare time she indulges her love of video production by making short films, is a lover of music and theatre and gets out cycling and hill walking whenever she can.
Ian has spent his entire working life in music. The first 25 years of his professional life were spent as a horn player, with the RSNO/Royal Scottish National Orchestra and with the London Symphony Orchestra. He was also the founding director of Scottish Brass.
In 1994 Ian joined the UK Musicians’ Union as Scottish/Northern Ireland Organiser and founded the UK Folk & Roots department. Ian was a member of the Board of Governors at the RSAMD and an Executive Board member of the Musicians’ Benevolent Fund.
Ian was appointed as Head of Music at the Scottish Arts Council/Creative Scotland in 2005, where he was privileged to co-found the Youth Music Initiative, which has now seen more than £150M in additional government investment targeted at instrumental and singing teaching. Ian has earned a wide international reputation through successfully promoting the music and musicians of Scotland, none more so as one of the founders of Showcase Scotland hosted by Celtic Connections in Glasgow-now grossing over £3M in artist bookings over four days.
In 2013, Ian was elected to the executive board of the European Music Council, based in Bonn, Germany and in 2015 was elected President/Chair of the EMC Board. Ian also serves on the International Music Council Executive Board, based at Unesco in Paris.In January 2016 Ian was elected to the board of the International Society for the Performing Arts based in New York and in January 2017 was appointed Treasurer and member of the ISPA Executive Board. In 2017, Ian joined the board of multi-media arts organisation; Cryptic who also programme and direct Sonica.
Lindsey is a commercial solicitor who has worked for the last 25 years in private practice, in-house in the higher education sector and most recently in industry. She has lived in the United States, Germany and The Netherlands but has always been drawn back to Glasgow!
Lindsey joined the Board in 2021. She is passionate about the importance of engaging schoolchildren in music from an early age, with a particular interest in woodwind instruments. In her free time, she enjoys trail running, writing poetry, cooking and wine.
Composer John Harris is artistic director and chief executive of the Red Note Ensemble. John was appointed Festival Director of New Music Dublin in 2017; he was previously artistic director of the Paragon Ensemble and general manager of the Hebrides Ensemble. His work includes operas, chamber music, theater music and music for film, including work for Scottish Opera, the Sound Festival Aberdeen, Tapestry Opera Toronto, the Royal Shakespeare Company and Channel 4.
Jacqueline Shave received her formal training at the Royal Academy of Music, but drew her particular performance inspiration and love of chamber music from her time at the Britten-Pears School in Snape. On leaving the Academy she became Leader of English Touring Opera, but soon made the decision to dedicate herself to chamber music, leading the Schubert Ensemble and then co-founding and leading the Brindisi Quartet for fifteen years.
She has appeared as guest leader with many groups including the Nash Ensemble, London Sinfonietta, Composers’ Ensemble, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra and Royal Philharmonic Orchestra. She was appointed leader of Britten Sinfonia in 2005. In 2013 she additionally became leader of the Red Note Ensemble, a contemporary music group in Glasgow.
In 2011 she took a year away to explore other musical pathways, which resulted in Postcards from Home, a world music/jazz CD in collaboration with Kuljit Bhamra (tabla) and John Parricelli (guitar). She also presented a complete Beethoven string quartet cycle on the Hebridean island of Harris, and gave a free improvisation concert in a cave on Hestur, in the North Atlantic Faroe Islands.
Jacqueline plays on a Nicola Amati violin, from 1672.
Ruth is a flute player, and educator. She divides her time mainly between performing with leading contemporary music group Red Note Ensemble, and working as lecturer in flute at the Royal Conservatoire of Scotland.
She also performs solo recitals, and enjoys playing chamber music in any kind of small ensemble. She works regularly with pianist Scott Mitchell, and in a trio with harpist Sharron Griffiths and violist Scott Dickinson. She has appeared regularly at festivals all over the UK and Europe, and has recorded for Delphian, Mode, Metier and 7hings.
Ruth was for many years a player and co-artistic director of The Scottish Flute Trio. The trio commissioned many new works from composers such as Thea Musgrave, Edward McGuire, Sally Beamish, Gordon McPherson, Joji Hirota, Robert Dick and David Fennessy.
She has worked with a wide range of ensembles including the Edinburgh Quartet, Hebrides Ensemble, Scottish National Jazz Orchestra, and as a soloist with London Concertante. She has been on stage with theatre companies such as Dundee Rep and Theatre Cryptic and appeared at Counterflows Festival with experimental harpist Zeena Parkins.
She appears regularly on Radio 3 and Radio Scotland, and has performed live as a featured solo artist for Classic FM.
Teaching is a big part of Ruth’s life, and she has seen many successful students go into the profession. Alongside her work at RCS, Ruth enjoys teaching master classes and workshops around the UK and in Europe. She also teaches students at Glasgow University and is the founder of the Scottish International Flute Summer School which she directed for 20 years. She is in demand as a private teacher, and has taught many successful students at every stage of their musical training.
Ruth is a regular coach for NYOS courses, delivers CPD for instrumental teachers, and for many years was on the staff for Douglas Academy Music School.
As well as teaching flute players, and coaching chamber groups and ensembles, Ruth also enjoys working with composers to help them to develop their writing. She has taken part in many composers’ workshops, working at all levels from first time composers at school, through to young professional composers at the start of their careers. Recent composers’ workshops have been with RNCM, RCS, Glasgow University and Sound Scotland.
Ruth’s training was with David Nicholson at RSAMD, and then as a Wingate Scholar with Peter Lloyd at the Royal Northern College of Music. She also studied privately with Colin Lilley and Wissam Boustany. Prizes and awards include: Soroptomist International Society Bursary for young musicians, Prize winner in RSAMD chamber music and woodwind competitions, Sir James Caird Travelling Scholarship, Bromsgrove Festival Young Musicians Platform, AT&T Istel Awards, Tunnell Trust, Manchester Mid Day Music Society recital prize, Hattori Foundation award winner and Wingate Scholarship for postgraduate study at RNCM.
Composition is a recent addition to Ruth’s work, and her music is published by Tetractys.
