The programme features Embryonic, a powerful new work by acclaimed Canadian composer Bekah Simms, commissioned by Nouvel Ensemble Moderne and Red Note Ensemble. In Embryonic, Simms revisits fragments, gestures and sonic memories from her earlier works, transforming them into a compelling new piece for chamber orchestra.

The concert also features the UK premiere of David Fennessy’s 13 Factories for ensemble and electronics (2009), commissioned by Nouvel Ensemble Moderne. Inspired by the crowded cities of the Pearl River Delta, Fennessy explores what it means to find and hear an individual voice amongst many. Instrumental sounds meet pure electronic tones, alongside recordings of traditional weaving machines from the Outer Hebrides.

The programme also includes two new works by RCS PhD composition students Gillian Walker and Kate Sagovsky, alongside further works by RCS composers.

Set within the atmospheric surroundings of Glasgow Cathedral, this is an evening of new and experimental music that brings together established and emerging compositional voices.

Red Note Ensemble:

Ruth Morley, flute
Katherine Bryer, oboe
Tim Lines, clarinet
Will White, bass clarinet
Paolo Dutto, basoon
Alexei Watkins, horn
Brian McGinley, trumpet
Ryan Hume, trombone
Rolf Hind, piano
Tom Hunter, percussion
Jackie Shave, violin
Tom Hankey, violin
Fiona Winning, viola
Naomi Pavri, cello
Iain Crawford, double bass
Ryan McAdams, conductor