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DTSTART;TZID=Europe/London:20221104T193000
DTEND;TZID=Europe/London:20221104T210000
DTSTAMP:20260422T053449
CREATED:20221027T170803Z
LAST-MODIFIED:20221031T114108Z
UID:4359-1667590200-1667595600@www.rednoteensemble.com
SUMMARY:Red Note at RCS Emerging Conductors Concert
DESCRIPTION:After a week of masterclasses and workshops under the guidance of Visiting Professor Martyn Brabbins\, Leverhulme Conducting Fellow Emilie Godden and five MMus conducting students present a performance of Julian Anderson’s ‘Van Gogh Blue’\, premiered in 2015. \nEach of the conductors will also direct the premiere of a short transcription or composition they have created especially for this occasion. \nJulian Anderson Van Gogh Blue \n***\nJohann Sebastian Bach (arr. Michael Riley) Prelude No.4 in D Major\, BWV 925\nMagnus Plejdrup Dance Suite \nDmitri Shostakovich (arr. Emilie Godden) Prelude No.22 in G minor\, Op.34\nClaude Debussy (arr. Oliver Cope) Voiles\nClaude Debussy (arr. Peggy Wu) General Lavine \nClaude Debussy (arr. Vincent Wiguna) Hommage à S. Pickwick Esq. P.P.M.P.C  \nRed Note Ensemble\nRuth Morley\, flute / piccolo\nHeather Roche\, clarinet\nWill White\, bass clarinet\nPaul Boyes\, bassoon\nAndy Saunders\, horn\nGabriella Dall’Olio\, harp\nTom Hankey\, viola\nRobert Irvine\, cello\nIain Crawford\, double bass
URL:https://www.rednoteensemble.com/event/red-note-at-rcs-emerging-conductors-concert/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew Street\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
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DTSTART;TZID=Europe/London:20221107T190000
DTEND;TZID=Europe/London:20221107T210000
DTSTAMP:20260422T053449
CREATED:20220928T153949Z
LAST-MODIFIED:20221025T140353Z
UID:4298-1667847600-1667854800@www.rednoteensemble.com
SUMMARY:Noisy Nights at Glad Café Glasgow
DESCRIPTION:Noisy Nights provide an outlet to hear emerging new musical ideas and voices. Join us at the Glad Café for an informal night of new music. Three Red Note musicians will perform 10 short new works selected from an open call (details to apply here: https://www.rednoteensemble.com/event/noisy-nights-2022-in-glasgow-call-for-scores/)..  \n\n\n\n\nThere is even a chance to take part in the gig with our 10 minutes composer challenge\, where you’ll be able to create a quick sketch on the spot and have it played by our musicians. \nThe concert will be held at the Glad Café in Glasgow\, on Monday 7th November\, 7pm. Tickets are free but booking is required.  \nBarry Paul Horrell  La Folia\nDavid Roche The Church\nJacquelyn Hazle Hours\nLuke ‘Luca’ Cockayne Optimistic Timekeeping\nRebecca Frances Stale Connections\nTaner Kemirtlek Glad Cafe\nThomas Djønne Triplex\nTom Hawkins Chromatic Explosions\nTsz To Lo Hexagonal Buzzing\n \n\n\n\n\nRed Note Ensemble \nPaul Bosworth\, trumpet\nFiona Winning\, viola\nRobert Irvine\, cello\n \nJohn Harris Conductor \n 
URL:https://www.rednoteensemble.com/event/noisy-nights-at-glad-cafe-glasgow/
LOCATION:Glad Café\, 1006A Pollokshaws Rd\, Glasgow\, G41 2HG\, United Kingdom
CATEGORIES:Concerts
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DTSTART;TZID=Europe/London:20221120T120000
DTEND;TZID=Europe/London:20221120T130000
DTSTAMP:20260422T053449
CREATED:20220906T153927Z
LAST-MODIFIED:20221025T150136Z
UID:4268-1668945600-1668949200@www.rednoteensemble.com
SUMMARY:Red Note at hcmf// 2022
DESCRIPTION:Úna Monaghan is a harper\, composer\, researcher and sound artist from Belfast\, working with experimental and improvised sound\, and with live electronics\, from a traditional Irish music background. Her recent work has combined traditional music with bronze sculpture\, sound art and movement sensors. She has been commissioned by hcmf// and Red Note Ensemble to create a new piece\, Notwithstanding\, that will be premiered at hcmf// 2022. It is for solo harp\, electronics and ensemble. \nIn Ann Cleare’s Dysmorphia II\, the three instruments adopt warped versions of each other as if they are different sides of the same brain\, looking at and interpreting the same world but unable to form a consensus on their vision of it. This is an obsessive\, distorted world in which every compositional parameter is saturated in the idea of dysmorphia – timbral\, harmonic\, formal\, rhythmic\, and dynamic dysmorphia with each parameter frantically searching for the difference between reality and perception. \nNick Roth’s Flocking III\, meanwhile\, explores the mechanisms of an emergent system in which individual components can be perceived to express themselves as a group. Nature offers many spectacular examples of this type of behaviour\, of which perhaps the most beautiful is the flocking of birds in flight. \n  \nÚna Monaghan Notwithstanding (World Premiere)*\nAnn Cleare Dysmorphia II (World Premiere of trio edition)\nNick Roth Flocking III (UK Premiere) \nRed Note Ensemble\nRuth Morley\, flute / piccolo\nWill White\, clarinet / bass clarinet\nJackie Shave\, violin\nTom Hankey\, viola\nRobert Irvine\, cello\nIain Crawford\, double bass\nTom Hunter\, percussion \nÚna Monaghan harp \nNick Roth soprano / tenor saxophones \nGeoffrey Paterson conductor \n*co-commissioned by hcmf// & Red Note Ensemble \n 
URL:https://www.rednoteensemble.com/event/red-note-at-hcmf-2022/
LOCATION:Phipps Hall\, University of Huddersfield\, Queensgate\, Huddersfield\, HD1 3DH
CATEGORIES:Concerts
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