Noisy Nights At Drygate Glasgow
2026-02-23 19:30 - 21:00 (Europe/London) | Drygate Brewery, 85 Drygate, Glasgow, G4 0UT
Shake off your winter hibernation and come thaw your ears with bold, unpredictable, and never-before-heard music. Noisy Nights champions fresh sounds and emerging voices, bringing together composers, performers, and curious listeners in an informal setting where anything can happen.
Ruth (flute), Cerys (bassoon) and Sasha (classical guitar) perform eight brand-new five-minute works, selected from the open call:
Colin Riley ‘Rollick’
Jamie Mackenzie ‘gluasadan’
Darlene Zarabozo ‘you deserve good things’
Colin Donati ‘Reckless (fragment)’
Scott Wearing ’Three Responses’
Abbey Felton ‘running joke’
Daniel Abrahams ’The Road to Applecross’
Craig Morrison ’The Sound of Wood’
Got a musical idea of your own? Step up for the 10-Minute Composer Challenge. Create a quick sketch on the night, and our musicians might bring it to life before the evening’s out.
Yes, it’s a Monday night in February but it’s FREE!
Drygate, Glasgow
Monday 23rd February
7:30pm
FREE entry – booking essential
Red Note Ensemble
Ruth Morley, Flute
Cerys Ambrose Evans, Bassoon
Sasha Savaloni, Classical Guitar
John Harris, Conductor
Red Note is a PRS Foundation Talent Development Network Partner supported by PPL.

Red Note Annual Report 2024-25
2026-02-28
Covering the period 1 April 2024 – 31 March 2025, you can read or download a copy of our Annual Report here.

Red Note Factory (Devising) Weekend Concert
2026-03-15 17:00 - 18:00 | The Pearce Institute, 840-860 Govan Road, Glasgow, G51 3UU
Red Note Factory participants present solos and a new small-ensemble work devised with Laura Bowler and Ruth Morley.
Expect experiments, surprises and first-time performance.
FREE but booking required!
Sunday 15th March 2026, 5pm
McLeod Hall, Pearce Institute, Glasgow
Red Note is a PRS Foundation Talent Development Network Partner supported by PPL.

The Big Give Match Funding
2026-03-17 09:00 - 2026-03-24 17:00
We believe that new music belongs to everyone.
As dementia-informed practice grows, many performances adapt existing work through training, environmental adjustments and familiar repertoire. These approaches matter. But they often assume that people living with dementia can only connect with what they already know. We believe creating new work shaped by their own creativity can be just as powerful, if not more so.
FLOW asks a different question: what if new music belongs here too?
Over the course of a year, we will work with residents in Methil, Fife and their carers to develop a new, classical-style performance shaped by their ideas, memories, rhythms and responses. Workshops will test and evolve material, allowing participants to influence the structure, pacing and atmosphere of the piece.
For one week only, every donation made through the Big Give campaign will be matched pound for pound.
That means your support will go twice as far in helping us deliver creative workshops, artist development time and the creation of this new work.
DONATE HERE
Invest in new music that includes everyone.

Five New Works For Classical Guitar Performed By Sasha Savaloni
2026-04-20 13:00 - 14:00 | Scottish Music Centre, 100 Candleriggs, Glasgow, G1 1NQ, United Kingdom
Royal Conservatoire Of Scotland & Red Note present:
Five New Works For Classical Guitar Performed By Sasha Savaloni
Continuing our partnership with RCS Composition, Red Note presents an informal sharing of five new solo works for classical guitar by student composers from the Royal Conservatoire of Scotland.
Developed over the past few months in collaboration with Sasha Savaloni, these new pieces explore the creative possibilities of the instrument and will also be recorded as part of the project.
Join us on Monday 20 April, 1pm at the Scottish Music Centre, Glasgow.
Free entry. No ticket required.
Red Note Ensemble
Sasha Savaloni, classical guitar

Extra Musician Callout (Scottish Freelance Ensembles Network)
2026-05-27
Scottish Freelance Ensembles Network is a collective of professional freelance ensembles – Scottish Ensemble, Red Note Ensemble, Dunedin Consort, and Hebrides Ensemble – based in Glasgow and Edinburgh. We have come together to develop a shared approach to recruitment that broadens access to opportunities within our ensembles. By working collectively, we hope to open up clearer pathways into freelance ensemble work and support a workforce that is more representative of the breadth of musical talent working today.
Through our Extra Musician Callout, we are seeking to widen our network of world-class performers, reflect and inspire our audiences, and champion Scottish culture, locally and internationally.
Participating ensembles in this recruitment cycle are:

Scottish Ensemble
Red Note Ensemble
Dunedin Consort

How to apply:

Complete and submit an application form (available here), which asks for necessary personal details, a link to your audition video, and responses to the key questions outlined in the Recruitment Pack.
Record and submit a single-take, audio-visual recording of up to 6 minutes for each ensemble, in accordance with the repertoire list outlined in the application guidance.
Complete our Equal Opportunities Monitoring Form. All data is gathered anonymously.

Applications are anonymised and assessed through a fair and transparent process.
Our commitment to access
We are committed to removing barriers wherever possible. Adjustments to audition formats, rehearsal processes or performance requirements can be made to support access needs.
Deadline for applications: 27th May 2026. All ensembles will endeavour to respond to candidates by the end of June 2026.

Development Opportunities for Scottish composers / composers based in Scotland
2026-06-07 08:00 - 17:00
sound is a new music incubator based in North East Scotland, which aims to increase access to new music, encourage excellence and experimentation, and nurture talent. It achieves this through a variety of activities including the annual soundfestival, a year-round composer support programme, a youth programme, and other learning and engagement activities.
The opportunities involve writing new works for the following ensembles, leading to performances or sharings at the 2026 soundfestival. Please note that there is a progression through the opportunities, with each one catering to composers at different points in their careers. We thus expect the majority of composers to apply to one of these opportunities rather than multiple opportunities.
1. A duo of musicians from Red Note Ensemble (alto flute and percussion) in the run up to the soundfestival. This is aimed at very early career composers.
2. North East Scotland’s new music ensemble, Any Enemy, conducted and mentored by Pete Stollery in the run up to the soundfestival. This is aimed at early career composers slightly further along their career path.
3. A 3-day Composers’ Lab with Quatuor Bozzini during the soundfestival. This is aimed at more experienced emerging composers.
These opportunities are part of sound’s soundcreators programme focusing on nurturing creative talent. soundcreators is currently funded by Creative Scotland, Aberdeen City Council, the Hinrichsen Foundation, the William Syson Foundation and through the PRS Foundation’s Development Network fund supported by PPL. These particular opportunities are in addition funded by The Garrick Charitable Trust.
Click HERE for more information and to apply.

Almanac: Part 1 (Emergence)
2026-06-13 12:50 - 17:00 | Boat of Garten Community Hall, Boat of Garten Community Hall, Boat of Garten, PH24 3BL, United Kingdom
Almanac: Part 1 (Emergence)

Boat of Garten Community Hall, Saturday 13 June 2026
Almanac is a new large-scale project by composer Thomas Butler, commissioned by Red Note Ensemble, using contemporary musical performance to mark events in the natural world.
Across four seasonal, immersive works presented in locations throughout Scotland over 12 months, the project brings together ensemble, voice, electronics and field recording to explore ecological cycles, seasonal change, and the disruption of natural rhythms in a time of climate crisis.
Almanac: Part 1 (Emergence)
The first chapter of Almanac focuses on the emergence of dragonflies and damselflies as they transition from water to air. This new performance combines live music with flute, clarinet, viola and percussion, and field recordings to trace this moment of transformation, shaped by ecological research and the surrounding landscape.
Each ticket includes
• A guided site visit to a nearby bog with an RSPB guide to observe dragonflies and damselflies (transport provided by bus)
• A live performance of Emergence
• A Q&A with composer Thomas Butler

Important information
• Please note the site visit involves uneven terrain and is unfortunately not suitable for wheelchair users or those with limited mobility*
• Please arrive at least 10 minutes in advance as transport to the site will leave sharp
• Sturdy footwear and weather appropriate clothing is recommended
• Each performance is limited to 20 audience members
• Please be advised that in the event of severe weather, the site visit may be cancelled and we will offer an indoor alternative
*If you are unable to attend the site visit but wish to experience the performance and Q&A, or if you have any access questions, please contact us: admin@rednoteensemble.com
Performance schedule
Please select one of the following timed sessions when booking:
Concert 1
Site visit (including transport): 12:50–13:45
Performance + Q&A: 14:00–14:45
Concert 2
Site visit (including transport): 14:00–14:55
Performance + Q&A: 15:10–15:55
Concert 3
Site visit (including transport): 15:10–16:05
Performance + Q&A: 16:15–17:00
Tickets
£15 (£10 Concession for those under 26 years of age)
Advance booking required
The Almanac cycle is kindly supported by the Vaughan Williams Foundation.
For more information and tickets click HERE.

Call For Tuba Players
2026-08-02
REGISTER HERE
We’re inviting tubists, along with players of sousaphone, euphonium, baritone, Wagner tuba and tenor horn, to join us for this extraordinary large-scale performance.
Written by pioneering American composer Anthony Braxton, Composition No. 19 (For 100 Tubas) is a bold and immersive work that transforms the tuba into a vast collective instrument. With layers of sustained sound, shifting textures and powerful spatial effects, the piece creates an experience that is as much about atmosphere and resonance as it is about performance.
Written in the 1970s, the score was lost for many years before eventually being rediscovered and receiving its first performance in New York in 2006. This September, Red Note Ensemble brings this remarkable work to Lammermuir Festival in a special outdoor performance at Amisfield Walled Garden.

Braxton’s score is written for four marching tuba bands of 25 players, each with its own conductor, moving through the space as the performance unfolds. Surrounded by the garden walls and the open evening sky, audiences and performers will experience a constantly shifting landscape of sound as tubas of every shape and size — from euphoniums to sousaphones — create rich, resonant textures across the site.
The work is very rarely presented, making this a special opportunity to take part in one of Braxton’s most ambitious ensemble pieces alongside brass players from across Scotland and beyond.
It’s a joyful, collaborative piece: immersive, surprising and unlike anything else.
Most importantly, it’s open to players of all experience levels. The music is approachable, and Red Note will provide all the materials you need in advance.
If you play tuba — or euphonium, baritone, tenor horn, Wagner tuba or sousaphone — we’d love you to join us for this unique performance. Come and be part of an unforgettable evening of music as twilight falls over one of East Lothian’s most beautiful spaces.
The performance will take place in the beautiful Amisfield Walled Garden, around 30 minutes from Edinburgh, on Saturday 19 September 2026, as part of Lammermuir Festival.

Please note that this is a voluntary and unpaid opportunity, and unfortunately we cannot provide travel support to participants, so we encourage local players to apply.

We are looking for people who are:

Tuba, Sousaphone, Euphonium, Baritone, Wagner tuba or Tenor horn players
At any level of experience (amateur, student or professional)
Aged 16 or over
Available on Saturday 19 September 2026 from 13:00 until 19:30 for the rehearsal and performance.

We’d love to have you with us.
REGISTRATION DEADLINE: 2ND AUGUST
REGISTER HERE

100 Tubas at Amisfield
2026-09-19 18:00 - 19:30 | Amisfield Garden, Haddington, EH41 3TE
Gathering 100 tuba players together for a performance of Anthony Braxton’s legendary Composition No 19 interspersed with heraldic brass fanfares this unique performance – part concert, part ritual – will make the walls of the garden reverberate with deep, evocative sounds as the sun dips below the horizon.
Audiences will be transported by coach from Haddington town centre.
This concert is dedicated to the memory of John Wallace.
