Red Note

NORDIC MUSIC DAYS: AN EASTERHOUSE CHILDREN'S MANIFESTO INSTALLATION
2024-10-30 - 2024-11-02 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Inspired by the 1931 publication ‘La Anarquia Explicada a Los Niños’ – an instructional manual for children published during the Spanish Civil War explaining the ideas and practises of anarchy – composer Brian Irvine and director John McIlduff worked with the children of Oakwood Primary School in Glasgow and Red Note Ensemble. The result was An Easterhouse Children’s Manifesto, a collection of seven musical animated video posters that explore key elements of “anarchical” thinking such as autonomy, kindness and human connectivity from a child’s perspective.
Born from Red Note’s 5 Places programme, which targets five locations across central Scotland, this Easterhouse collaboration is based on the ideas and voices of Oakwood Primary School’s pupils and their partnered groups from the wider community.
We’re thrilled to have these video posters on public display as an installation in the Glasgow CCA Courtyard from Wednesday 30 October until Saturday 2 November, as part of Nordic Music Days 2024.
Nordic Music Days 2024 is a Council of Nordic Composers project, managed on their behalf by the Danish Composers Society in partnership with the Royal Scottish National Orchestra.

International travel survey for musicians
2024-10-31
International touring is a key part of the music industry. It’s great at creating cultural exchange. But it’s also one of the industry’s biggest sources of carbon emissions.
How do we balance these things? We want to hear from musicians directly – how often you travel internationally, what works for you, and what doesn’t. What do you want international touring to look like in future? It’ll only take 10 minutes.
The Scottish Classical Sustainability Group is made up of 30+ classical music organisations, but we’re also interested in the experiences of musicians working in other fields – i.e. folk, jazz, pop and more.
This survey will help us gauge current attitudes to international travel and better understand the challenges preventing the sector from lowering its international travel emissions.
Tell us your thoughts here: https://forms.gle/EFjSdQ38pBG4WRBRA
Using the responses, the Scottish Classical Sustainability Group will publish a report reflecting the current state of international touring. This will be shared across the industry and with funders. We want to inform how we can maintain international cultural exchange whilst taking better care of the planet.

NORDIC MUSIC DAYS: J. DILLON 'TANZ/HAUS' and NORTHERN CONNECTION
2024-11-02 22:00 - 23:00 (Europe/London) | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
For Nordic Music Days 2024 Red Note brings a programme that celebrates the ensemble’s links with the Nordic countries alongside one of its most significant recent Scottish commissions – the award-winning Tanz/haus by James Dillon.
Tine Surel Lange’s Flaskepost was premiered at soundfestival 2023 in Aberdeen as part of Northern Connection, a new and innovative project to connect Nordic countries and Scotland by establishing and strengthening liaisons between composers, ensembles and festivals in contemporary music
James Dillon’s Tanz/haus opened Huddersfield Contemporary Music Festival’s 40th edition as a world premiere – and to great acclaim. Dillon’s work was awarded the RPS composition prize and nominated for the BASCA British Composer Awards 2018, and a recording by Red Note is available on Delphian Records.
Tine Surel Lange Flaskepost (Northern Connection commission)
James Dillon Tanz/haus
Red Note Ensemble
Jackie Shave, Violin
Lionel Handy, Cello
Iain Crawford, Double Bass
Ruth Morley, Flute
Will White, Clarinet
Sjors van der Mark, Electric Guitar
Djordje Gajic, Accordion
Tom Hunter, Percussion
Simon Smith, Piano / Electronic Keyboard
Matthew Swan, Electronics
Simon Proust, Conductor
Nordic Music Days 2024 is a Council of Nordic Composers project, managed on their behalf by the Danish Composers Society in partnership with the Royal Scottish National Orchestra.

Ivor Novello Nomination Announcement!
2024-11-12
Born from Red Note’s 5 Places Programme, this is a unique collaboration that gives voice to the children of Easterhouse, Glasgow, allowing them to create a manifesto through music and words, challenging the status quo and exploring what kind of world they want to live in.
The Ivor Novello Awards, presented by The Ivors Academy, celebrate exceptional composition by British, Irish, or UK resident composers of new classical music and sound art.
What incredible recognition for this very special project! The winner will be announced at the ceremony on Tuesday, 12th November at BFI Southbank, London.
Composed by Brian Irvine
Libretto by John McIlduff
Co-created by the children of Oakwood Primary School, Scotland commissioned by Dumbworld and Red Note Ensemble
Performed by Red Note Ensemble and the children of Oakwood Primary
Red Note is funded by Creative Scotland and is a PRS Foundation Talent Development Partner.

An Easterhouse Children's Manifesto wins at the Ivor Novellos!
2024-12-18
Brian Irvine’s “An Easterhouse Children’s Manifesto” (“A Children’s Guide to Anarchy”), written for ensemble and singers, was named Best Community and Participation Composition.
The project was developed throughout 2022 as part of Red Note’s 5 Places Programme, which targets locations across central Scotland. The result is a collection of seven musical animated video posters, exploring ideas of personal autonomy, kindness and human connectivity from a child’s perspective. Co-created with the children of Oakwood Primary School with libretto by John McIlduff, it was performed by Red Note Ensemble and Oakwood Primary School.
In deciding the award, the judges felt the project to be “a truly immersive experience for the young participants, beautifully integrating contemporary music” and that “the authentic voices of the children shone throughout, both in the creation and the performance, making their contributions feel genuine and integral”.
John Harris, Red Note Ensemble CEO & Artistic Director said:
“We are truly thrilled for Brian, and also for the children of Oakwood Primary and the wider Oakwood community. This project has not only created something that is beautifully simple and profound, it has demonstrated the wisdom of children and its power to teach us something in return.”
“Thank you so much to The Ivors Academy for recognising this unique project for the very special work that it is, and for giving the wonderful children of Oakwood Primary such a memorable moment.”
Vanessa Thomson, Head Teacher of Oakwood Primary School said the award is a huge thrill for the entire school community.
“Being awarded the prestigious Ivor Novello Award is such an honour. Our whole school community is thrilled and delighted. I’m sure you could have heard the screams of excitement from Glasgow to London! We have a long and wonderful partnership with all at Red Note and Dumbworld. All our children have revelled in all the experiences we have benefited from by working with professional musicians, artists which have developed our creativity and connections to the world around us. This particular project meant that children co-created songs which allowed them to show autonomy and views about how to make the world a better place from their perspective.”
“Bringing the EMC (An Easterhouse Children’s Manifesto) to a wider stage has meant that all the pupils at Oakwood Primary in Easterhouse, Glasgow have a spotlight on them and their views, putting Oakwood pupils voice centre stage. Being recognised in this way is a huge boost to every child’s self-esteem, to their belief in the power of words and children’s voice. The fact that this was achieved in partnership with professionals who share their skills, craft and time so generously with us has given Oakwood a truly unique insight into the power of the Creative Arts, supporting ambition and achievement beyond the classroom walls. We are truly grateful for this opportunity.”
Dumbworld, Creative Production Company said:
“This award is a testament to the incredible children of Oakwood Primary School who have shared their wisdom, joy, and creativity. Their authenticity and insight have been at the heart of this project, reminding us of the simple yet profound truths that often get lost in the noise of the world. We are deeply grateful to have had the privilege to collaborate with these young voices and witness their boundless talent shine. Congratulations to Brian and all involved.”
Clare Hewitt, Music Officer at Creative Scotland said:
“An Easterhouse Children’s Manifesto is a brilliant example of the creativity that shines through young people in communities throughout Scotland. Together with composer Brian Irvine, librettist John McIlduff and the musicians of Red Note Ensemble, the children of Oakwood Primary School have brought their vision of a joyful, connected and inclusive future to life in an incredibly vibrant way. Their work deserves to be celebrated through this prestigious award.”
An installation of “An Easterhouse Children’s Manifesto” was recently displayed at the Glasgow CCA as part of the Nordic Music Days Festival. Both the installation and the award are dedicated to the memory of Dominic Rossa, an Oakwood Primary School pupil involved in the project.
Read Our Creative Voice’s case study of “An Easterhouse Children’s Manifesto” and its impact here.
Red Note Ensemble is supported by Creative Scotland and is a PRS Foundation Talent Development Network Partner supported by PPL. Their support has helped fund this project.

Christmas Holidays Office Closure
2025-01-05
And that’s a wrap for 2024!
A huge thank you from everyone at Red Note for all your support this past year, and for coming to see and hear us over the last 12 months.
It’s been an incredible year, with concerts, workshops, continuing with our Working with Communities projects, successful firsts with Factory Weekend and the RCS Solo Recording, and of course the celebration and recognition of “A Children’s Guide to Anarchy” at the Ivor Novellos.
We’re now taking a short break to celebrate the festive season and enjoy time with friends and family. The office will be closed from Monday 23 December 2024 until Monday 6 January 2025.
Have a wonderful Christmas and New Year – we look forward to seeing you in 2025!
Photo credit: Sean Purser

Welcome to our newest board members!
2025-01-10
We’re delighted to announce Danae and Peter have both recently joined the Red Note board, bringing with them fresh insights and expertise to help us deliver our programme to the highest standard.
Danae Eggen (she/her): Canadian-born Danae’s musical career started as a professional horn player for ensembles such as the London Sinfonietta, Birmingham Contemporary Music Group, Sinfonia Cymru, Band of HM Coldstream Guards, RAF Central Band, and progressive rock group Big Big Train. She is an associate artist manager and is also a member of Future Talent’s advisory board, supporting young, gifted musicians from low income families all over the UK. Danae is thrilled to be working with Red Note Ensemble’s board of trustees for future concerts, projects, and commissions.
Peter Nicholson: Peter Nicholson is a cellist, improviser, composer, and educator. As a passionate educator advocating for inclusion, Peter has extensive experience in music education, most recently serving as Director of Music at Sistema Scotland. Often working collaboratively, he has created music for theatre, dance and film, including projects with National Theatre of Scotland and Scottish Dance Theatre. In 2023, Peter founded New String Collective, an improvising string orchestra.

Red Note Annual Report 2023-24
2025-02-28
Covering the period 1 April 2023 – 31 March 2024, you can read or download a copy of our Annual Report here.

New research on challenges for Scottish emerging composers
2025-03-31
Entitled “Career challenges: an exploration into potential barriers faced by Scottish emerging composers“, the article explores the potential barriers for emerging composers to constructing and maintaining a career in the field of composition in Scotland, as viewed through the lens of both those early in their careers and the experience of others who have worked professionally for many years.

Thirty-nine composers responded to a survey that highlighted the role of educational mentoring, the need for monetary stability and the challenges faced by female and older emerging composers.

This research was funded by Red Note Ensemble and New Music Scotland, explore, inform and provide suggestions for future consideration. You can read a copy of Dr Morgan’s article here.

RCS & Red Note present 5 new works performed by Cerys Ambrose Evans
2025-04-25 13:00 - 14:00 | Scottish Music Centre, 100 Candleriggs, Glasgow, G1 1NQ, United Kingdom
Continuing our partnership with RCS Composition, we’re combining a performance and recording of new works for solo bassoon created by 5 RCS students composers.
This project is a collaboration between Red Note and composers from the RCS, who have been working with Cerys Ambrose Evans over the last few months, to develop new pieces for solo bassoon. These new works will also be recorded as part of the project, allowing the composers to reflect on this creative process, as they develop their skills in writing for the instrument.
Join us on Friday 25th April at 1pm at the Scottish Music Centre in Glasgow for an informal sharing of these new works.
The concert is FREE and not ticketed.
Red Note Ensemble
Cerys Ambrose Evans, Bassoon

Music Composition Course
2025-04-30
Back in Autumn 2023, we had the privilege to work with Jane Stanley on the recording of an online course on Music Composition.
The course is now available on the Coursera platform: https://www.coursera.org/learn/music-composition-starting-a-piece
This course shares insights into the process of composing music, all with the aim of developing skills and confidence as a composer wether you are a musician looking to take your composition skills to the next level, or a teacher in a secondary school searching for new techniques to share with your own students.

We're hiring - Marketing Coordinator
2025-05-26
The Marketing Coordinator is a key role, coordinating Red Note’s marketing activities and working with the General Manager to implement a new communications strategy that reflects the ensemble’s vision and values.
It is a very exciting time to join the team as we are undergoing a rebrand including a new design for our website. We are looking for a passionate and creative arts marketer with strong design and content creation skills and ideally experience with branding and website design.
The successful candidate will have at least 3 years of experience working in marketing in a similar context. They will have a passion for the arts, and a strong interest in music. This role sits at the heart of the organisation and requires a creative mind as well as a keen eye for detail to produce visually engaging content. Red Note’s administration is a small, hard-working team and we are looking for someone who is supportive, well-focused and has the initiative and energy to adapt to new situations.
Duties: Coordination of Red Note’s communications activities
Hours of work: 0.6 FTE (21 hours per week) flexible as agreed. Depending on projects and concerts, occasional evening and weekend working will be required.
The post holder must be flexible to respond during busy times, particularly during the autumn (September – November) which is the busiest season for us. The postholder must also be available to travel occasionally outside the Central Belt.
Salary: £17,400 (based on £29,000 per annum pro rata)
Annual Leave entitlement: 15 days plus bank holidays (based on 25 days pro rata)
Office: Summerhall, 1 Summerhall Place, Edinburgh EH9 1PL
Remote working: We operate a hybrid office/home working structure with a requirement of at least 2 days per week in the office (pro rata for part time employees – minimum 1 day per week in the office is required)
Period of contract: Fixed term contract for 1 year (with a possibility for extension)
Responsible and reports to: General Manager
How to Apply
Download the JOB PACK for the full job description and information on how to apply.
Deadline Monday 26th May, 23:59

We're hiring - Administrator
2025-05-26
This is an exciting opportunity to be part of a small, dynamic team, supporting Red Note’s general and project administration through its three strands of work.
The Administrator role sits at the heart of the organisation and requires a positive attitude toward problem-solving and acute attention to detail, as well as excellent interpersonal and communication skills. Red Note’s administration is a small, hard-working team and we are looking for someone who is supportive, well-focused and has the initiative and energy to adapt to new situations.
The successful candidate will have at least 1 year of experience in a similar environment in the arts, or proven ability in several of the key responsibilities. They will have a passion for the arts, and an interest in music.
Duties: General administration of the company and its programme of activities
Hours of work: 0.6 FTE (21 hours per week) flexible as agreed.
Depending on projects and concerts, occasional evening and weekend working will be required. The post holder must be flexible to respond during busy times, particularly during the autumn (September – November) which is the busiest season for us. The postholder must also be available to travel occasionally outside the Central Belt.
Salary: £15,600 (based on £26,000 per annum pro rata)
Annual Leave entitlement: 15 days plus bank holidays (based on 25 days pro rata)
Office: Summerhall, 1 Summerhall Place, Edinburgh EH9 1PL
Remote working: We operate a hybrid office/home working structure with a requirement of at least 2 days per week in the office (pro rata for part time employees – minimum 1 day per week in the office is required)
Period of contract: Fixed term contract for 1 year (with a possibility for extension)
Responsible and reports to: General Manager
How to Apply
Download the JOB PACK for the full job description and information on how to apply.
Deadline Monday 26th May, 23:59

Development opportunity for Scotland-based composers
2025-05-30
Five composers will have the opportunity to develop short works for oboe and bassoon working alongside our players Katherine Bryer (oboe) and Cerys Ambrose Evans (bassoon) with Anna Appleby as composer mentor. The new works will be performed during soundfestival 2025.

Opportunity description

Five emerging Scottish composers will have the opportunity to develop short works of around 5 min for Katherine Bryer (oboe) and Cerys Ambrose Evans (bassoon) with mentoring support from Anna Appleby.
This will take place over a period of 4 months with a mixture of online and live sessions (see key dates below).
The new works will then be performed as part of the soundfestival on Saturday 1st November 2025.

Key dates
The successful candidates should be available to attend the following sessions:

Online introductory session: week beginning 7th July (exact date tbc), Zoom.
1-to-1 mentoring sessions: Early/Mid August, Zoom
Workshop session with Katherine and Cerys: 13th September, Edinburgh or Glasgow
Additional rehearsal session: Early/Mid October
Performance on on 1st November, Aberdeen

This requirement is kept flexible for those living with disability, or those for whom such participation might be tricky due to any other reason related to their underrepresented characteristic. You will be able to discuss this with us upon successful application and we will help find a solution.
Please note, we offer this flexibility in order to open our opportunities for those with access requirements and for whom participation is difficult due to their underrepresented characteristic. If you are not able to attend those days, and your reason is not related to the above, please consider applying to a different opportunity.
The deadline to apply is Friday 30th May. For more information on the call and how to apply please visit: https://sound-scotland.co.uk/news/development-opportunities-for-scottish-composers

This opportunity is part of soundcreators programme focusing on nurturing creative talent. They are currently funded by the Creative Scotland, PRS Foundation Talent Development Network supported by PPL, Aberdeen City Council and UK Goverment, The Pear Tree Fund for Music, Hugh Fraser Foundation, The Leche Trust, Hope Scott Trust and the Hinrichsen Foundation.

NOISY NIGHTS AT DRYGATE, GLASGOW – CALL FOR SCORES
2025-08-22 17:00
The Noisy Nights concert will take place on Wednesday 24th September at Drygate in Glasgow – deadline for submissions: Friday 22nd August, 5pm.
Noisy Nights are informal new music nights that provide an outlet to hear emerging new musical ideas and voices. Three Red Note musicians will perform up to 8 short new 5-minute works selected from the open call (details below).
The concert will be held at Drygate in Glasgow, on Wednesday 24th September 19:30.

CALL FOR SCORES
Are you interested in writing a piece of music 3-5min long for Red Note, Scotland’s contemporary music ensemble? Then this call is for you.
• Maximum length: 5 minutes
• Instrumentation: Flute, Viola and Percussion [Marimba (4.3 octave), Large China Cymbal, Hi-hat, Woodblock, Shaker]*
• Only new works composed for this call will be accepted
• Deadline: Friday 22nd August (5pm – UK time)
Please note the scores should not include electronics or any pre-recorded parts, and when writing please consider that these concerts are rehearsed in a short time frame.
(*Note: if you’ve got any questions regarding the percussion list, please email flore@rednoteensemble.com).

HOW TO APPLY: Full score and parts in PDF format to be submitted to Dawn Coulshed at admin@rednoteensemble.com by 5pm (UK time) on Friday 22nd August. Please include full name and contact in your submission email and use the subject “Noisy Nights Glasgow – Application”. Late submissions will not be accepted.
A maximum of 8 pieces will be selected by a panel of musicians and composers from Red Note. Selected composers will be notified by Friday 29th August and the rehearsal and concert will be held on the Wednesday 24th September.
We encourage those local to the area to apply. There are limited options to apply for a travel bursary if you are selected and based outside of Glasgow, and reside within the UK.
Support: We want to make sure everyone has the opportunity to take part in our call. If there are barriers to your participation which we can help to alleviate through one of our limited support bursaries, please do get in touch with Red Note’s General manager, Flore Ducasse at flore@rednoteensemble.com
If you have any questions or access requirements, please contact Flore Ducasse at flore@rednoteensemble.com
Equal Opportunities Monitoring Form: All applicants must also complete an anonymous Equal Opportunities Monitoring form. This will help Red Note Ensemble to better understand the reach and fairness of our selection process.
Please CLICK HERE to complete the monitoring form.

Red Note is a PRS Foundation Talent Development Network Partner supported by PPL

FLOCK - Lammermuir Festival
2025-09-11 16:00 - 17:30 | St Peter’s Church, 1 High St, Musselburgh, EH21 7AD, United Kingdom
Family-friendly concert
Location: St Peter’s Church, Musselburgh
Times: 4 & 5.30pm
Duration: Approx 30mins
Tickets: £6 | Under 18 free
FLOCK is a 30 minute small ensemble piece with a strong visual element, created for children and families of all ages.
FLOCK is centred around a suite of newly invented playful instruments combined with flute, cello and percussion. Opening with a sonically and visually captivating performance by the musicians, the audience are gently encouraged to become more involved until, through their collective effort, a chirping flock comes into being.
FLOCK evolves from explorations of the songs and calls of birds, the sounds of a woodland and the weather. Origami birds slowly flap their paper wings overhead, music boxes tinkle, automated swanee whistles twitch and flutter, accordion reeds and pipes resonate… creating an evocative and intriguing setting that builds towards the impression of a lively flock of birds tweeting and chattering together.
Red Note Ensemble
Ruth Morley, Flute
Martin Storey, Cello
Tom Hunter, Percussion
Kathy Hinde, Artist
FLOCK was created by artist and composer Kathy Hinde and co-commissioned by Red Note Ensemble and sound.

FLOCK - Lammermuir Festival
2025-09-12 10:30 - 14:00 | St Peter’s Church, 1 High St, Musselburgh, EH21 7AD, United Kingdom
Family-friendly concert
Location: St Peter’s Church, Musselburgh
Times: 10.30am, 12pm & 2pm
Duration: Approx 30mins
Tickets: £6 | Under 18 free
FLOCK is a 30 minute small ensemble piece with a strong visual element, created for children and families of all ages.
FLOCK is centred around a suite of newly invented playful instruments combined with flute, cello and percussion. Opening with a sonically and visually captivating performance by the musicians, the audience are gently encouraged to become more involved until, through their collective effort, a chirping flock comes into being.
FLOCK evolves from explorations of the songs and calls of birds, the sounds of a woodland and the weather. Origami birds slowly flap their paper wings overhead, music boxes tinkle, automated swanee whistles twitch and flutter, accordion reeds and pipes resonate… creating an evocative and intriguing setting that builds towards the impression of a lively flock of birds tweeting and chattering together.
Red Note Ensemble
Ruth Morley, Flute
Martin Storey, Cello
Tom Hunter, Percussion
Kathy Hinde, Artist
FLOCK was created by artist and composer Kathy Hinde and co-commissioned by Red Note Ensemble and sound.

Noisy Nights at Drygate Glasgow
2025-09-24 19:30 - 21:00 | Drygate Brewery, 85 Drygate, Glasgow, G4 0UT
Join Red Note Ensemble for an evening of bold, unpredictable, and never-before-heard music. Noisy Nights champions fresh sounds and emerging voices, bringing together composers, performers, and curious listeners in an informal setting where anything can happen.
Our players, Ruth (flute), Fiona (viola) and Tom (percussion) will perform 8 short new 5-minute works selected from the open call — showcasing a wide range of styles, ideas, and sonic experiments:
Abbey Felton, flourish and flow
Caleb Reid, On Approach
Craig Morrison, On a single resonant chord
Huan Li, Wantonly
Jack Robinson, 7AM Dance Party
Mathis Saunier, lava_cycle.
Ming Yang, Cursive
Valerie Thibault, Untitled (Puzzles)
Got a musical idea of your own? Step up for the 10-Minute Composer Challenge. Create a quick sketch on the night, and our musicians might bring it to life before the evening’s out.
Drygate, Glasgow
Wednesday 24th September
7:30pm
FREE entry – booking essential
Red Note Ensemble
Ruth Morley, Flute
Fiona Winning, Viola
Tom Hunter, Percussion
John Harris, Conductor
Red Note is a PRS Foundation Talent Development Network Partner supported by PPL.

Red Note is a PRS Foundation Talent Development Network Partner supported by PPL.

Go Compose! 2025
2025-09-29
It’s a unique opportunity to work with professional composers and our musicians during a 3-day course ran in partnership with sound.
Over 3 days you will create your own, original piece of music which will be performed at the end of the course. You will also receive a recording of your piece.
The course in 2025 will take place at Phoenix Centre, Newton Dee, Bieldside from Monday 13 October – Wednesday 15 October. Go Compose! will be led by professional contemporary composers Electra Perivolaris and James B. Wilson, as well as three musicians from Red Note Ensemble to create your own original piece of music for flute, viola and bassoon.
Timetable

Mon 13 October: 2-8pm
Tues 14 October: 10am-5pm
Wed 15 October: 10am-6pm with performance of final pieces @ 5pm.

Costs
Go Compose! costs £60 for the whole course. You will also need money for lunches and evening meals. If this is too expensive for you, please contact us to discuss this as some grants are available. You can attend the performance free of charge. You can also invite your family and friends to attend the final performance. Tickets for this cost £5.
If you will be travelling from a distance and would like the option to stay overnight, we are able to organise supervised accommodation for you at an additional cost of between £35 and £65 per night including breakfast. Please contact us directly for more information.
We will let everyone know if they have been selected to participate by 8th October. You will then be asked to confirm attendance and to pay the course fee of £60.
Apply
To apply for a place on Go Compose! Please complete the online registration form HERE
Deadline for applications: Monday 29th September.
To find out more information/ask any questions please contact: participate@sound-scotland.co.uk
Feedback from previous years:
“Hearing my piece was like a dream come true.”
“One of the best experiences I have ever had.”
“A very interesting and informative course that I strongly recommend to others.
I would love to come back again next year.”

Go Compose! is run in partnership with Red Note, Scotland’s new music ensemble. Go Compose! is generously supported by Creative Scotland, the UK Government through the UK Shared Prosperity Fund, Aberdeen City Council, David and June Gordon Memorial Trust, Educational Institute of Scotland, Aberdeen Endowments Trust and Hugh Fraser Foundation.

Apply now for Red Note Factory Weekend
2025-10-04 10:30 - 2025-10-05 17:00 | Scottish Opera, 39 Elmbank Cresent, Glasgow, G2 4PT, United Kingdom
Factory Weekend is an opportunity for young classical music performers to take part in a weekend of creative music making. If you are an instrumentalist aged 18-28, interested in playing contemporary music and exploring some new skills in a fun and supportive environment, then our two day workshop is for you! No previous experience in contemporary music needed – just curiosity and enthusiasm.

Places are fully funded but limited, so apply early to make sure you don’t miss out!
Lunch and coffee/tea will be provided on both days.
What to expect during the weekend
Factory Weekend is all about creative music making and will include: working on improvisation and new compositions, playing alongside Red Note musicians, and putting together a performance of an open score piece.
There will be rhythm skills games, and you will get the chance to try sketching out your own piece. We will also have discussions and advice sessions on working with composers and building your own projects.
This is an opportunity to gain experience in playing new music, to meet some of the Red Note team, and to explore some new skills. We’re always on the lookout for the new generation of talent, so it is also a chance for us to meet some potential future Red Note musicians as well!
Factory Weekend is primarily aimed at music students and recent graduates aiming at careers as performers, but we also welcome applications from people who are not studying music but play their instrument to a high level. Places are open to players of any orchestral instrument, plus guitar and saxophone.
Unfortunately we can’t accommodate pianists this time.
When and where
Factory Weekend will take place in Glasgow at Scottish Opera on Saturday 4th and Sunday 5th October. Lunch, tea/coffee and pastries will be provided.
Places are fully funded but strictly limited, and you will need to be available for both days.
How to apply
To apply, fill out the application form via this link before Tuesday 16th September 2025
If you have any questions or need any further information, please contact us at admin@rednoteensemble.com.

Please note, the workshop will be held at the Scottish Opera offices, which is an old building. If you are a wheelchair user or have any access requirements please get in touch with us at admin@rednoteensemble.com

Red Note is funded by Creative Scotland and is a PRS Foundation Talent Development Partner.

An Easterhouse Children’s Manifesto at Baboró, Galway
2025-10-10 10:00 - 2025-10-19 17:00 | Outset Gallery, The Cornstore Mall, H91 K8YV
Baboró International Arts Festival for Children is Ireland’s flagship arts festival dedicated to children and families.
“A truly immersive experience for the young participants, beautifully integrating contemporary music… the authentic voices of the children shone throughout, both in the creation and the performance, making their contributions feel genuine and integral.”
– Ivors Classical Awards Judges 2024 on selecting the project as the winner of Best Community and Participation Composition.
Click HERE for more information
The exhibition runs from Friday 10th October until Sunday 19th October.

Red Note at sound festival
2025-10-30 18:00 - 20:00 | King’s Pavillion, High Street, Aberdeen, AB24 1SX
King’s Pavillion, Thursday 30th October 6:00pm
Journey beneath the Earth in Lost Science, dive into vibrant underwater worlds in Reef, and experience a string trio by Blasio Kavuma. Together, these works, including two world premiere, channel nature’s hidden voices – echoing deep time, fragile ecosystems, and new beginnings.
Programme
Ruth Morley Reef (World Première)
Blasio Kavuma String Trio
Tansy Davies Lost Science (World Première)
Red Note Ensemble
Ruth Morley, flute
Tim Lines, bass clarinet
Jackie Shave, violin
Fiona Winning, viola
Martin Storey, cello
Iain Crawford, double bass
Tom Hunter, percussion
Laura Bowler, voice
In association with the University of Aberdeen Music Department.
Lost Science is co-commissioned by Red Note Ensemble, sound,
Crash Ensemble and Ensemble Offspring.
Reef is commissioned by Red Note Ensemble.

Red Note at sound festival - Spotlight Gig
2025-11-01 12:00 - 13:00 | St Andrew’s Cathedral, Aberdeen, 28 King Street, Aberdeen, AB24 5AX, United Kingdom
St Andrew’s Cathedral, Saturday 1st November 12:00pm
Katherine Bryer (oboe) and Cerys Ambrose-Evans (bassoon) perform new works by emerging Scottish-based composers Olivia McLean, Finn O’Hare, David Ford, Alison Beattie and Ewa Adamiec resulting from a 3-month composer development opportunity supported by composer Anna Appleby.
In association with Red Note Ensemble and St Andrew’s Cathedral at Noon series. Part of the soundcreators programme.

Join the Red Note Ensemble Board
2025-11-02
Be part of something amazing – Scotland’s new music ensemble is looking for a new Chair of the Board along with a new trustee with legal expertise and a new Trustee in Training.
As one of the UK’s most exciting and innovative makers and commissioners of new music, the role of trustee means you will become part of a vanguard developing new works for the national and international stage, supporting and developing young composers and musicians and working closely with communities.
Always forward-thinking and dynamic, the company plays a leadership role nationally and internationally in the development of new music and the engagement of new audiences through its busy, annual schedule of events. Our current Board members have expertise and experience at a senior level in arts, marketing, education, finance, and community work.
See details for each role and how to apply below.

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CHAIR OF THE BOARD
For this role, we invite interest from suitably experienced individuals at a Chief Executive level and would particularly welcome those with a background in the UK public sector and/or experience of a previous board membership and a genuine interest in music and the arts. The ideal candidate would contribute their knowledge and strong industry contacts and commit to actively support the ensemble by promoting and supporting the organisation externally.
Candidates should share our values, have experience in leadership or governance and have time to invest in supporting Red Note’s work and strategy. Previous Chair experience is not required but a plus, though we do require strong leadership experience in a public sector setting.
Board meetings are held quarterly online, and the Board meet once a year in person in Glasgow or Edinburgh for the annual Board Away Day.
The Chair is responsible for ensuring the Board works effectively, leading the Board team and meetings and overseeing decisions taken.
In addition, the Chair gives informal advice by phone or 1:1 meeting with the executive team as required and line-manages the CEO.
If you would like to have an informal discussion with the current Chair of the Board, Ian Smith, you can get in touch with him via email at ian65smith@icloud.com or call +353 87 442 2654
Alternatively, please write to us explaining why you are interested in becoming Red Note’s Chair of the Board (no more than an A4 page, single sided) and attach your CV.
Please send this to Red Note’s General Manager, Flore Ducasse, on flore@rednoteensemble.com.
The deadline to submit interest is Sunday 2nd November 2025.
If you have any questions that aren’t covered here, if you have technical difficulties or have any access requirements, we can support you with the application process. Please contact Ian Smith, Chair of the Board at ian65smith@icloud.com with your question and he will reply to you with the required information.
If there is another format that would support you to do your best application then please get in touch via flore@rednoteensemble.com and we will work with you to try and make it possible.
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TRUSTEE WITH LEGAL EXPERTISE
For this role, we invite interest from candidates with experience in the legal sector, and a genuine interest in music and the arts.
We particularly welcome applications from candidates with experience in contract or IP law.
You don’t have to love contemporary music to be part of the story, but you do need to believe that music makes a real difference to life and provides significant access to participation at every level.
You don’t have to have experience of being on a Board, one of our core areas of focus is developing talent, and that applies to our trustees too.
You don’t need to be based in Scotland (or the UK), we value expertise and insight wherever you are based.
What you do need, is enthusiasm, affinity with Red Note’s ethos and some time to dedicate to quarterly meetings on Zoom, with some work in between and to attend our annual Board Away Day in person in Glasgow or Edinburgh.
Before each board meeting, papers are circulated for the board to read in advance. Board meetings are usually on a Monday evening between 6-8pm UK time.
In return, you’ll learn new things, stretch your thinking, and meet some genuinely lovely folk.
If you’ve never considered being on a Board but you would like to discuss the opportunity with any of us – get in touch. We’d love to hear from you. If you’ve got oodles of experience and have time to spare, we’d love to hear from you too.
To find out more about why Red Note Ensemble is so exciting, and to discover more about what it means to be a Director and Trustee please check out Red Note’s website, and the Board Director handbook.
If you are interested in finding out more, please contact Ian Smith, Chair of the Board at ian65smith@icloud.com.
Alternatively, please write to us explaining why you are interested in joining the Board of Red Note Ensemble (no more than an A4 page, single sided) and attach your CV. Please send this to Red Note’s General Manager, Flore Ducasse, on flore@rednoteensemble.com.
The deadline to submit interest is Sunday 2nd November 2025.
If you have any questions that aren’t covered here, if you have technical difficulties or have any access requirements, we can support you with the application process. Please contact Ian Smith, Chair of the Board at ian65smith@icloud.com
with your question and he will reply to you with the required information.
If there is another format that would support you to do your best application then please get in touch via flore@rednoteensemble.com and we will work with you to try and make it possible.
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TRUSTEE IN TRAINING
This is an opportunity for a student or emerging professional aged 18-28 to take part in a 2-year board trustee in training role. This opportunity will allow a student or emerging professional to get first-hand experience sitting on a board and develop their skills.
Please note this is a voluntary role.
What To Expect
You don’t have to have experience of being on a Board. This role is specifically catered towards developing talent and potential. Learning in this role is expected. The successful applicant will have the opportunity to shadow other board members, as well as a one-to-one mentor with a current Red Note trustee.
What you do need, is enthusiasm, affinity with Red Note’s ethos and some time to dedicate to quarterly meetings on Zoom, with some work in between and to attend our annual Board Away Day in person in Glasgow or Edinburgh.
Before each board meeting, papers are circulated for the board to read in advance. Board meetings are usually on a Monday evening between 6-8pm UK time.
The board aims to have one in person meeting or training day each year. Travel expenses will be covered by Red Note for this.
This traineeship is for 2 years. We would like to hear from applicants that can commit to this tenure. You don’t need to be based in Scotland, we value insight from anywhere. Red Note currently has 2 board members who are based in Europe.
Benefits
In return, you’ll learn new things, stretch your thinking, and meet some genuinely lovely folk.
The role of a trustee is an incredible experience that will boost your career and give the opportunity to develop a range of skills:

Develop skills
Grow your network
Learn about governance and understand how the arts sector works
Make a difference

It is also worth noting that our former Trustee in Training; Mareike Ohl has now been elected to serve as a full Red Note Ensemble trustee demonstrating the significant benefit of this initiative to the successful applicant.
Contact
If you’ve never considered being on a Board but fancy a chat – get in touch. We’d love to hear from you.
For an informal chat with the Chair, CEO or any of the Board, contact Ian Smith, Chair of the Board at ian65smith@icloud.com or call +353 87 442 2654
How To Apply
Please write to us explaining why you are interested in becoming Red Note’s next Trustee in Training (no more than an A4 page, single sided) and attach your CV. Please send this to Red Note’s General Manager, Flore Ducasse, on flore@rednoteensemble.com.
The deadline to submit interest is Sunday 2nd November 2025.
If you have any questions that aren’t covered here, if you have technical difficulties or have any access requirements, we can support you with the application process. Please contact Ian Smith, Chair of the Board at ian65smith@icloud.com
with your question and he will reply to you with the required information.
If there is another format that would support you to do your best application then please get in touch via flore@rednoteensemble.com and we will work with you to try and make it possible.

Chair Of The Board
2026-01-04
Be part of something amazing – Scotland’s new music ensemble is looking for a new Chair of the Board.
As one of the UK’s most exciting and innovative makers and commissioners of new music, the role of trustee means you will become part of a vanguard developing new works for the national and international stage, supporting and developing young composers and musicians and working closely with communities.
Always forward-thinking and dynamic, the company plays a leadership role nationally and internationally in the development of new music and the engagement of new audiences through its busy, annual schedule of events. Our current Board members have expertise and experience at a senior level in arts, marketing, education, finance, and community work.
CHAIR OF THE BOARD
For this role, we invite interest from suitably experienced individuals at a Chief Executive level and would particularly welcome those with a background in the UK public sector and/or experience of a previous board membership and a genuine interest in music and the arts. The ideal candidate would contribute their knowledge and strong industry contacts and commit to actively support the ensemble by promoting and supporting the organisation externally.
Candidates should share our values, have experience in leadership or governance and have time to invest in supporting Red Note’s work and strategy. Previous Chair experience is not required but a plus, though we do require strong leadership experience in a public sector setting.
Board meetings are held quarterly online, and the Board meet once a year in person in Glasgow or Edinburgh for the annual Board Away Day.
The Chair is responsible for ensuring the Board works effectively, leading the Board team and meetings and overseeing decisions taken.
In addition, the Chair gives informal advice by phone or 1:1 meeting with the executive team as required and line-manages the CEO.
If you would like to have an informal discussion with the current Chair of the Board, Ian Smith, you can get in touch with him via email at ian65smith@icloud.com or call +353 87 442 2654
Alternatively, please write to us explaining why you are interested in becoming Red Note’s Chair of the Board (no more than an A4 page, single sided) and attach your CV.
Please send this to Red Note’s General Manager, Flore Ducasse, on flore@rednoteensemble.com.
The deadline to apply is Sunday 4th January 2026.
If you have any questions that aren’t covered here, if you have technical difficulties or have any access requirements, we can support you with the application process. Please contact Ian Smith, Chair of the Board at ian65smith@icloud.com with your question and he will reply to you with the required information.

Noisy Nights in Glasgow - Call for Scores
2026-01-21
Noisy Nights are informal new music nights that provide an outlet to hear emerging new musical ideas and voices. Three Red Note musicians will perform up to 8 short new 5-minute works selected from the open call.
The concert will take place on Monday 23rd February 2026, 19:30 at Drygate in Glasgow.
The deadline for submissions is Wednesday 21st January 2026, 23:59.
CALL FOR SCORES
• Maximum length: 5 minutes
• Instrumentation: Flute*, Bassoon, Classical Guitar
• Only new works composed for this call and including all three instruments will be accepted
• Deadline: Wednesday 21st January 2026 (23:59 – UK time)
Please note the scores should not include electronics or any pre-recorded parts, and when writing please consider that these concerts are rehearsed in a short time frame.
*concert flute without doublings.
If you’ve got any questions regarding the instruments list, please email admin@rednoteensemble.com.

HOW TO APPLY
To apply please please fill in the form HERE
If you have any questions or encountering any issues with the form or uploading your score to the form please contact us on admin@rednoteensemble.com.

SUPPORT:
We encourage those local to the area to apply. There are limited options to apply for a travel bursary if you are selected and based outside of Glasgow, and reside within the UK.
Please note that our travel bursary funds are limited, so we may not be able to fully cover your travel expenses. We will strive to offer as much support as possible. However if travel is not possible, selected composers will have the option to join the rehearsal and concert online.
Unfortunately we are not able to offer travel support for composers based outside of the UK.
If you have any questions or access requirements, please contact Dawn Coulshed at admin@rednoteensemble.com

Red Note is a PRS Foundation Talent Development Network Partner supported by PPL

Red Note Ensemble and Laura Bowler: Deconstructing Pierrot
2026-02-07 19:30 - 20:30 | Joan Knight Studio, Perth Theatre, Perth Theatre, Perth, PH1 5HZ
What happens when you take a so-called classical masterpiece, smash it open, and rebuild it for the world we actually live in?
Laura Bowler dives head-first into Pierrot Lunaire, dragging Schoenberg’s iconic outsider into an age of clicks, feeds, and digital self-performance. Glitched, remixed, questioned and reclaimed, Deconstructing Pierrot dismantles the myth of the tortured clown and rebuilds it through contemporary sound, text and image.
Bold, unsettling and darkly playful, this visceral music-theatre work speaks directly to a new generation while sharply re-examining a canonical work.
Come get your expectations, and your attention span, rewired.
Deconstructing Pierrot
Red Note Ensemble with Laura Bowler (voice)
Joan Knight Studio, Perth Theatre
Saturday 7 February 2026, 7:30pm
Under 18s go free

Red Note Ensemble
Ruth Morley, Flute
Tim Lines, Clarinet
Tom Hunter, Percussion
Siwan Rhys, Piano
Jackie Shave, Violin
Naomi Pavri, Cello
Laura Bowler, Voice
Matthew Swan, Electronics

Co-commissioned by Red Note Ensemble, Music on Main, and Ensemble Offspring
Image: © Robin Clewley

Apply For Red Note FACTORY (DEVISING) WEEKEND
2026-02-11 17:00 - 2026-02-12 17:00 | The Pearce Institute, 840-860 Govan Road, Glasgow, G51 3UU
RED NOTE FACTORY (DEVISING) WEEKEND
14–15 March 2026
Pearce Institute, Glasgow
A free weekend course for classical performers aged 18–28 who want to explore contemporary music, devising, and creative collaboration.
Led by Laura Bowler and Ruth Morley, you’ll work together to create a brand-new group piece through guided devising, improvisation, and material-making — and perform it at the end of the weekend. There’s also the option to propose a solo or small ensemble work for the final concert.
• Open to orchestral instruments, plus classical guitar & saxophone (unfortunately we can’t accept applications from pianists or singers this time)
• Fully funded, lunch provided
• Limited travel bursaries available
Come and make something new — and meet future collaborators along the way.
How to apply
To apply, fill out the application form via this link before Wednesday 11th February 2026
If you have any questions or need any further information, please contact us at admin@rednoteensemble.com.
Red Note is funded by Creative Scotland and is a PRS Foundation Talent Development Partner.

Noisy Nights At Drygate Glasgow
2026-02-23 19:30 - 21:00 | Drygate Brewery, 85 Drygate, Glasgow, G4 0UT
Shake off your winter hibernation and come thaw your ears with bold, unpredictable, and never-before-heard music. Noisy Nights champions fresh sounds and emerging voices, bringing together composers, performers, and curious listeners in an informal setting where anything can happen.
Ruth (flute), Cerys (bassoon) and Sasha (classical guitar) perform eight brand-new five-minute works, selected from the open call:
Colin Riley ‘Rollick’
Jamie Mackenzie ‘gluasadan’
Darlene Zarabozo ‘you deserve good things’
Colin Donati ‘Reckless (fragment)’
Scott Wearing ’Three Responses’
Abbey Felton ‘running joke’
Daniel Abrahams ’The Road to Applecross’
Craig Morrison ’The Sound of Wood’
Got a musical idea of your own? Step up for the 10-Minute Composer Challenge. Create a quick sketch on the night, and our musicians might bring it to life before the evening’s out.
Yes, it’s a Monday night in February but it’s FREE!
Drygate, Glasgow
Monday 23rd February
7:30pm
FREE entry – booking essential
Red Note Ensemble
Ruth Morley, Flute
Cerys Ambrose Evans, Bassoon
Sasha Savaloni, Classical Guitar
John Harris, Conductor
Red Note is a PRS Foundation Talent Development Network Partner supported by PPL.

Red Note Annual Report 2024-25
2026-02-28
Covering the period 1 April 2024 – 31 March 2025, you can read or download a copy of our Annual Report here.
