UK Premiere of KEIN at Huddersfield Contemporary Music Festival
2016-11-23 20:00 - 22:00 (Europe/London) | Aberdeenshire
Composer, writer and visual artist François Sarhan has designed and made a set of new, invented stringed instruments for the performers of Red Note to play on. Integrating recorded texts from historical figures, this new work explores the relationship between voice and instrument.
By reconsidering the string instrument, Francois will create around eight new musical devices, keeping only the resonating string in each. Some will be based on traditional string instruments, adapted with strange bodies and horns, and some will not be like anything you might come across in a concert hall!
The new instruments will explore the role and attitude of the player, giving him or her a much riskier, fragile and touching task as a performer; to consider the notion of performance; what it means, how to communicate, express themselves and share the music with an audience.
How the instruments work, look and sound is entirely up to François; the performers of Red Note will be working closely with François for the UK Premiere at Huddersfield Contemporary Music Festival on 23rd November.
François has an utterly unique and distinctive voice and this project promises to be one of the most innovative and exciting works to be created this year.
For more information on HCMF visit www.hcmf.co.uk

Parlour Sounds by Patricia Alessandrini
2017-02-02 19:00 - 22:00 | Woodend Barn, Burn O’ Bennie, Banchory, AB31 5QA, United Kingdom
Parlour Sounds is a multimedia project involving kitchen devices, and housekeeping aids in a subversive, experimental electronic aesthetic. Coming out of Patricia Alessandrini’s Sound and Music Embedded residency with Red Note Ensemble, in partnership with the Conservatoire de Paris, it will also feature work by composers associated with the Conservatoire.
Incorporating live electronics, video and theatrical elements, Parlour Sounds will involve vocal elements and text performed by soprano and the musicians, in relation to their instruments (singing into the flute, transducing sound from the voice into instruments, etc). The project also uses interactive technology to transform ordinary household objects into electronic instruments.
Parlour Sounds is a female/feminist view of technology: set in a British home in the late 60’s, and sees the soprano interact with the technology she finds at home as well as audio technology designed for the home in a subversive, ‘circuit bending’ aesthetic.
The ticket price also includes food/dinner. Please arrive at 7pm. In partnership with sound, NEAT, Buchanan Food & the Barn
For more information on Patricia please visit: patriciaalessandrini.com

The Night With… Red Note
2017-03-01 19:30 - 21:30 | The Hug and Pint, 171 Great Western Road, Glasgow, G4 9AW
Programmed by composer Matthew Whiteside, The Night With… is a new series of salon style concerts presenting classical and new music in an informal environment.
‘I want people to experience and enjoy all music as music rather than have a separate series for new and old. In these concerts I’ve programmed a mix that will be in three short 15 to 30 minute sections giving the audience a chance to chat to the players, each other and any of the composers that are there. I want to develop this as a monthly series across the main cities in Scotland and commission new works’.
The series is kindly supported by the National Lottery through Creative Scotland’s Open Project Fund.

Red Note MusicLab
2017-03-09 19:30 - 21:30 | Ledger Recital Room, Royal Conservatoire of Scotland, 100 Renfrew Street, Glasgow, G2 3DB, United Kingdom
As Associate Ensemble in Residence at the Royal Conservatoire of Scotland, we support the Leverhulme Conducting Fellowship programme for young conductors on the verge of a career.
The workshops culminate in MusicLab, a concert on 9 March of new works by some of the most important composers of our time; Oliver Knussen, Edmund Finnis, George Benjamin, Tristan Murail and John Casken. This year’s conductors are Jiří Rožeň & Simon Proust.
Concert Programme:
Knussen Hums and Songs of Winnie-the-Pooh
Finnis Seeing is Flux
Benjamin Octet
Murail Treize couleurs du soleil couchant
Casken Winter Reels

Parlour Sounds at Edinburgh International Science Festival
2017-04-13 20:00 - 21:30 | Summerhall, 1 Summerhall Place, Edinburgh, EH9 1QH
Parlour Sounds is a live multimedia event using innovative electronics to transform and invent instruments in an imaginative exploration of women’s relationship to technology – from the advent of home hi-fi to the smartphone. Coming out of Patricia Alessandrini’s Sound and Music Embedded residency with Red Note, in partnership with the Conservatoire de Paris, it will also feature work by composers associated with the Conservatoire.
This performance will also include hands-on audience participation with an instrument-building workshop followed by an after-show jam session to try out some of the electronics. We will then be performing Parlour Sounds at the Conservatoire de Paris on 18 April.

World Premiere The 306: Day
2017-05-05 20:00 - 2017-06-03 22:00 | Various Venues, Scotland Wide, United Kingdom
The 306: Day, the second part in Oliver Emmanuel and Gareth Williams’ powerful new First World War trilogy, is set to embark on an expansive Scottish tour between 5 May and 3 June 2017. The show, which explores how the conflict affected women, families, and communities on the home front, will open at Perth’s historic Station Hotel on 5 May before setting off on a Scottish tour. It will visit venues, town and village halls, and civic spaces across the country, including performances in Glasgow, Clydebank, Aberdeen, Dundee, Lockerbie, Galashiels, Ballachulish, Wigtown, Cove, Nairn, Arrochar, and Fort Augustus.
The first part of the trilogy, The 306: Dawn, premiered in the summer of 2016 and marked the centenary of the Somme Offensive. Audaciously staged within a barn in the Perthshire countryside,
Inspired by real events and first-hand accounts, The 306: Day will tell the stories of three women left behind in the wake of the executions, and their struggles to be heard above the clamour of the conflict. The year is 1917, and the war across the channel rages on. In Russia, a revolution is turning the social order on its head while at home in Britain, there are women fighting their own battles. Rents are rising. Food is scarce. And war work can be deadly.
The show features a contemporary score performed live by leading members of the Red Note Ensemble, who also contributed a deft and moving accompaniment to last year’s The 306: Dawn. Composer Gareth Williams is a long-term collaborator with both Red Note and Oliver Emanuel; the pair previously worked on The End of the World (for One Night Only) which Red Note commissioned, developed and staged in Edinburgh in December 2012. The National Theatre of Scotland also reunites with Perth Theatre and collaborates with Stellar Quines for the first time, under the new Artistic Directorship of Jemima Levick.
The 306: Day is co-commissioned with 14-18 NOW, the UK’s arts programme for the First World War centenary. Support for the tour comes from The Gannochy Trust, The Forteviot Trust, and The Thomson Charitable Trust.

Plug 4: All Things Red
2017-05-10 19:00 - 21:00 | Ledger Recital Room, Royal Conservatoire of Scotland, 100 Renfrew Street, Glasgow, G2 3DB, United Kingdom
Red Note are Associate Ensemble in Residence at RCS and Plug Festival concerts feature new music from undergraduate and graduate RCS student composers as well as the more experienced composers.
Plug 4: All Things Red will see the first performances of works by composing students Thomas Brown, Anna Grig, Juta Pranulyte and Reza Kholosi.

CLASS OF ‘17
2017-05-13 20:00 - 22:00 | Assembly Roxy, 2 Roxburgh Place , Edinburgh, EH8 9SU
Red Note Ensemble plays new work by Reid School of Music’s CLASS OF ‘17.New works from Konstantinos Vlachos / Matt Gio / Christian Ferlaino / José Rafael Subía Valdez / Afrodita Katmeridou / Andrew Blair / with Russell Wimbish, double bass.
Red Note Performers
Jacqueline Shave – Violin/Celeste
Tom Hankey – Viola
Robert Irvine – Cello
Aisling Agnew – Flute
Joanna Nicholson – Clarinet
Tom Hunter – PercussionProgramme:
Konstantinos Vlachos Data Entry for Flute, Clarinet, Violin, ‘Cello & Celesta
Matt Gio Sequence for Cello, Clarinets (Bb and Bass), Vibraphone, Celesta & Electronics
Christian Ferlaino Title for Saxophone
Russel Wimbish Bass improvisation for double bass
José Rafael Subía Valdez Oblivious (2012) for Flute & Clarinet
Afrodita Katmeridou Toccata Immaginario for Flute, Clarinet, Violin, Viola, Violoncello & Vibraphone
Andrew Blair From Dust for Alto Flute, Bass Clarinet, Violin, Viola, Violoncello & Percussion

Blowing Their Own Horns
2017-05-25 18:30 - 19:30 | The Fruitmarket Gallery, 45 Market Street , Edinburgh, EH1 1DF
This concert sees our musicians give these show-offs a chance to be played, echoing artist Mark Wallinger’s exploration of ego in The Fruitmarket Gallery’s current exhibition.
You will hear solo music for each new-fangled instrument followed by a commission from fearless composer Jim Sutherland, specially written to bring these big personalities together.
Event supported by Museums Galleries Scotland Partnership Fund.

Brian Irvine and Jennifer Walshe 13 Vices
2017-07-02 18:45 - 20:00 | The Guildhall, Alfred Gelder Street, Hull, HU1 2AA
This piece explores the weird, humorous, dark and exotic world of contemporary vices. Written for ensemble, improvisers, conductor and voice it melts the boundaries between various disciplines including theatre, opera, poetry and contemporary music. Featuring: Paul Dunmall (saxophones), Paul Rogers (double bass), Mark Sanders (drums), and Red Note Ensemble string players Robert Irvine, Jacqueline Shave and Tom Hankey.
Brian Irvine said, “We are delighted and excited to have a further opportunity to perform the 13 Vices. It has, and continues to be, a wonderfully messy, chopped up, beautiful, bewitching cocktail of the best people making the best sounds and is a project that myself, collaborator Jennifer (Walshe) and all the gang and very proud of – we can’t wait!”
This 15-minute piece will be performed twice, with a short Q&A session with the composer between the performances.

Brian Irvine and Jennifer Walshe 13 Vices
2017-07-09 14:00 - 17:00 | Southbank Centre, Belvedere Road, London , SE1 8XX
Explore the weird, humorous, dark and exotic world of contemporary vices with two of the UK and Ireland’s most dynamic compositional voices, Brian Irvine and Jennifer Walshe.
Written for ensemble, improvisers, conductor and voice, 13 Vices melts the boundaries between various disciplines including theatre, opera, poetry and contemporary music.

Presented in association with the PRS Foundation
Age recommendation
For ages 11+

Blowing Their Own Horns @ DCA
2017-08-10 20:00 - 21:00 | Dundee Contemporary Arts, 152 Nethergate, Dundee, DD1 4DY
A longstanding part of the exhibition programme at DCA, Echo is designed to throw new light on the works displayed in their galleries by inviting other artistic voices into the building to respond to each show.
As part of this instalment of Echo, Red Note bring to life some of the curious instruments from St Cecilia’s Hall, the home of the University of Edinburgh’s musical instrument museum, to be played in the company of Clare Woods’ new paintings.
This performance, titled Blowing Their Own Horns, will include a commission by composer Jim Sutherland, specifically written to bring these big-personality instruments together.
In advance of this performance, from 19:00-20:00 there will be three further opportunities for other voices to present ideas. In past events, participants have presented a wide variety of new and existing works that they have made in response to, or think is relevant to, the work/themes in the exhibitions. These have previously included drawings, sculptures, short films, poetry, text readings, dance, music, and performance. If you would like to share your creative response to the work on show, please submit a short proposal (no more than 300 words) to exhibitions@dca.org.uk by Thursday 27 July.
Supported by Museums Galleries Scotland Partnership Fund.
Featuring Red Note musicians Paul Stone, Mark O’Keefe, Andy Saunders and Danielle Price

Journeys String Quartet Tour
2017-08-26 19:30 - 21:00 | The Big Shed, Goshen Farm Steading, Musselburgh, EH21 8JL
Red Note presents a programme of short pieces from around the world that deal with the idea of journeys of music and peoples across borders.
This eclectic and very exciting performance of extremely varied music, ranging from beautifully melodic and rich folk-based works to wild, fast and powerful extracts from some of the 20th century’s greatest string quartets. There is something for everyone; love songs and keening elegies juxtaposed with crazy thumping rhythmic dances from around the globe. All played with the greatest passion and commitment by the strings of Red Note Ensemble.
On Saturday we are holding a FREE edited highlights performance for parents & carers with young children at 4pm at The Big Shed.
Featuring Jackie Shave, Kathy Shave, Tom Hankey and Robert Irvine.

Journeys String Quartet Tour
2017-08-27 19:30 - 21:00 | The Lime Tree, The Old Manse, Achintore Road, Fort William, PH33 6RQ
Red Note presents a programme of short pieces from around the world that deal with the idea of journeys of music and peoples across borders.
This eclectic and very exciting performance of extremely varied music, ranging from beautifully melodic and rich folk-based works to wild, fast and powerful extracts from some of the 20th century’s greatest string quartets. There is something for everyone; love songs and keening elegies juxtaposed with crazy thumping rhythmic dances from around the globe. All played with the greatest passion and commitment by the strings of Red Note Ensemble.
Featuring Jackie Shave, Kathy Shave, Tom Hankey and Robert Irvine.

Journeys String Quartet Tour
2017-08-28 20:00 - 21:30 | Sabhal Mòr Ostaig, Sleat, Isle of Skye , IV44 8RQ

Journeys String Quartet Tour
2017-08-29 19:30 - 21:00 | Gairloch Community Hall, Gairloch , Ross-shire, IV21 2BH

Red Note at Tyninghame part of Lammermuir Festival
2017-09-22 12:00 - 12:45 | Tyninghame Village Hall, Tyninghame, Dunbar, EH42 1XL
Here, with members of the Red Note Advanced Academy (advanced students from the conservatoires of Paris, Helsinki, Oslo and from the Royal Conservatoire of Scotland), we present a pair of events in venues new to the festival.
Red Note at Tyninghame is a lunch-time taster concert of contemporary sounds which acts as an upbeat to the afternoon performances.
Thomas Butler introduces his new commission.
Lunch is available at the end of the concert from Tyninghame Tea Room.
Kindly supported by the French Institute for Scotland.

Red Note at The Granary part of Lammermuir Festival
2017-09-22 14:30 - 17:15 | The Granary, Eastfield Farm, Whittingehame, East Lothian
Red Note Ensemble and Red Note Advanced Academy inaugurate it with two highly dramatic pieces by one of Britain’s most original composers.
The 1928 silent film The Life and Death of 9413 is a pioneering work of avant-garde cinema for which David Sawer has composed a wonderfully atmospheric score. The Lighthouse Keepers is a terrifying story of a keeper and his son trapped in their lighthouse, portrayed in the manner of a radio play for two actors with highly-coloured and tension-filled music.
Also featuring a new work by Thomas Butler (commissioned by Red Note Ensemble).
Please note there are two afternoon concerts 2.30pm and 4.15pm lasting approx. 1 hour.
Kindly supported by the French Institute for Scotland.

Go Compose! concert at soundfestival
2017-10-17 18:00 - 19:00 | Woodend Barn, Burn O’ Bennie, Banchory, AB31 5QA, United Kingdom
Following a 3 day workshop with professional composers John De Simone and Eleanor Alberga and musicians from Red Note Ensemble, students original piece of music is performed and recorded on 17 October at The Woodend Barn, Banchory.
This is a free concert open to the public.
Go Compose! is supported by D’Oyly Carte Charitable Trust, David and June Gordon Memorial Trust and Aberdeen Endowments Trust.

Red Note Ensemble with Pascal Gallois (bassoon)
2017-11-09 19:30 - 21:00 | Anatomy Rooms, Shoe Lane, Aberdeen, AB10 1AL
soundfestival shines a spotlight on the bassoon this year. Joining forces with sound and Red Note is one of the most prominent bassoon players in the world, Pascal Gallois. Together we have commissioned a new work from renowned composer Benedict Mason which will receive its World Premiere performance at this year’s festival.
This work will feature alongside works by two French composers.
Programme:
Benedict Mason New Work World Première
Philippe Hersant Huit Pieces Pour Basson Et Ensemble Instrumental
Grisey Talea for flute, clarinet, violin, cello and piano

HCMF 40: Dillon
2017-11-17 18:00 - 19:30 | St Paul’s Hall, Huddersfield Contemporary Music Festival, Huddersfield, HD1 3DH, United Kingdom
Paired here with the UK premiere of two recent works by young Swiss composer Stephanie Haensler and two works for solo electric guitar – written almost 40 years apart but closely related – by Morton Feldman and Christian Wolff, this world premiere of Dillon’s latest work, Tanz/haus : triptych 2017, is a continuation of his relationship with Red Note Ensemble following their critically acclaimed performance of his New York Trilogy at hcmf// 2013.
Red Note Ensemble:
Jacqueline Shave violin
Robert Irvine cello
Catherine Edwards piano
Ruth Morley flute
Tim Lines clarinet
Nikita Naumov double bass
Tom Hunter percussion
Ida Løvli Hidle accordion
Geoffrey Paterson conductor
Wiek Hijmans electric guitar
Programme:
Stephanie Haensler Ganz Nah UK Premiere
Stephanie Haensler Im Begriffe UK Premiere
Morton Feldmen Possibility of a New Work for Electric Guitar
Christian Wolff Another Possibility
James Dillon Tanz/haus : triptych 2017 World Premiere
Produced by hcmf// supported by the Swiss Arts Council Pro Helvetia

HCMF 40: Aeolian
2017-11-17 23:30 - 2017-11-18 00:30 | Bates Mill Photographic Studio, Colne Road, Huddersfield, HD1 3ER
Norwegian composer Maja S K Ratkje, UK installation artist Kathy Hinde and Danish accordionist Andreas Borregaard have collaborated to create this deeply-integrated new work, commissioned by Scotland’s Red Note Ensemble, combining newly-designed air-powered instruments with live musicians to create a new part-performance, part kinetic-sculptural work.
Andreas Borregaard accordion
Maja S K Ratkje music
Kathy Hinde installation
Red Note Ensemble:
Jacqueline Shave violin
Rachel Spencer violin
Tom Dunn viola
Robert Irvine cello
Nikita Naumov double bass
Joy Smith clarsach
Allan Neave guitar
Ruth Morley flute
Tim Lines clarinet
Chris Steam trombone
Tom Hunter percussion
Rhian MacLeod percussion

Leverhulme Concert
2018-03-15 18:00 - 19:30 | Ledger Recital Room, Royal Conservatoire of Scotland, 100 Renfrew Street, Glasgow, G2 3DB, United Kingdom
As Contemporary Ensemble in Residence at the Royal Conservatoire of Scotland, we support the Leverhulme Conducting Fellowship programme for young conductors on the verge of a career. The workshops culminate in a concert of new works by some of the most important composers of our time.
Programme:
Matthews – Fuga
Finnis – In Situ
Davies – Neon
Reich – Radio Rewrite

Plug 4 with Red Note
2018-05-08 18:00 - 19:00 | Stevenson Hall, Royal Conservatoire of Scotland, 100 Renfrew Street, Glasgow, G2 3DB, United Kingdom
Once again we lead an evening of new chamber music by student composers from the Royal Conservatoire of Scotland in Glasgow, featuring new works by Matthew Holmes, Duncan Krummel, Hei Ching Lam, Patrick Shand and Qifeng Zheng.
Programme:
Hei Ching Lam, River Cloud, 10’
Patrick Shand, Piano Quartet 10’
Qifeng Zheng, Shang, 10’43
Matthew Holmes, Piano Quartet 10’
Duncan Krummel, Constellations, 10’10
Red Note Ensemble:
Jackie Shave
Tom Hankey
Robert Irvine
Huw Watkins

Red Note Ensemble & Matthew Hawkins St Magnus International Festival Vesalii Icones
2018-06-26 19:00 - 21:00 | St Magnus Cathedral, Palace Road, Kirkwall, KW15 1PA
Written in 1969 this is one of Peter Maxwell Davies’s classic works of concert-hall music theatre. An extraordinarily dramatic, multi-layered fusion of dance and music, its shape superimposes the 14 stations of the Cross on a series of 16th-century anatomical drawings by Vesalius, with a dancer and a solo cellist as the protagonists.
Scored for the classic Fires of London Sextet line-up the work is ﬁlled with unconventional percussion instruments, a honky tonk piano and much allusion to foxtrots as well as medieval and renaissance music.
In contrast to the vibrant sonorities of Vesalii Icones, the first half features the atmospheric piano works inspired by Persia and written during the First World War by the proliﬁc French composer Charles Koechlin.
Programme:
Koechlin Excerpts from Les Heures Persanes
Maxwell Davies Vesalii Icones
Matthew Hawkins Choreographer / Dancer
Soraya Ham Dancer
Red Note Ensemble:
Lionel Handy, cello
Tom Hankey, viola
Ruth Morley, flute
Emma Burgess, clarinet
Tom Hunter, percussion
Simon Smith, piano
Pierre-André Valade, conductor

St Magnus International Festival On Tour
2018-06-27 19:30 - 21:00 | The Space, Rousay, The Old Kirk, Rousay, KW17 2PU
We go on tour with St Magnus International Festival with a richly diverse programme ranging across the centuries.
Trios by Haydn and Roussel are surrounded by intriguing duos and solos and music by veteran Scottish composer and traditional musician Eddie McGuire.
Tickets £5 at the door.

Aeolian at Sacrum Profanum Festival
2018-09-15 11:00 - 13:00 | ICE Kraków S4, Kraków
Once again we join Norwegian composer Maja S. K. Ratkje, UK installation artist Kathy Hinde and Danish accordionist Andreas Borregaard for Aeolian. This collaboration is a deeply-integrated new work, combining newly-designed air-powered instruments with live musicians to create a new part-performance, part kinetic-sculptural work.
Commissioned by Red Note and produced by hcmf// and Red Note Ensemble.

Mark Simpson plays John Adams at Lammermuir Festival
2018-09-19 19:30 - 21:00 | Loretto School, Linkfield Road, Musselbnurgh, EH21 7RE
This exciting programme finishes with John Adams’s Gnarly Buttons, a virtuosic clarinet concerto shot through with influences from hymns to bluegrass and jazz. Before that we hear two of Mark’s own works and Adams’s minimalist classic Shaker Loops. Soloist Mark Simpson, a Radio 3 Young Generation artist and – like Adams – both a clarinettist and a composer, was thoughtful and virtuosic.
Simpson Nur Musik
Adams Shaker Loops
Simpson Straw Dogs
Adams Gnarly Buttons
Red Note Ensemble and Red Note Advanced Academy
Simon Proust Conductor
21.30 – 22.15
You are invited to stay on for a free concert by Red Note Advanced Academy soloists from Glasgow, Oslo, Paris and Dublin.

Sergio Vega Dominguez. Oboe (Royal Conservatoire of Scotland) – “Six Études pour hautbois” by Gilles Silvestrini: 1. Hôtel des Roches noires à Trouville & 4. Sentier dans les bois.
Johanna Aichriedler, Bassoon (Norwegian Academy of Music) – “Vertigo” by Olav Berg.
Takuya Otaki, Piano (Paris Conservatoire) – “Dos formas del tiempo” by Martin Matalon.
Cho Ha Kim, Violin (Paris Conservatoire) – “Elegy” by Toshio Hosokawa.
Adam Hall, Cello (Royal Conservatoire of Scotland) – “Bunraku” by Toshiba Mayuzumi.
Matthew Mazanek, Guitar (Royal Irish Academy) – “Drei Tentos” by Hans Werner Henze.

Kindly supported by the French Institute for Scotland

Tanz/haus : triptych 2017 by James Dillon at Transit Festival
2018-10-13 17:30 - 18:15 | Aberdeenshire
Festival 20/21 puts its unique focus on the superb music of the 20th and 21st centuries, in all its richness and diversity and Red Note are delighted to be taking James Dillon’s RPS Award Winning Tanz/haus : triptych 2017 to Leuven in Belgium.
Transit has a soft spot for new talent, likes to support young composers and eagerly seeks out interesting new developments. But all that young power should also be combined with a Genuine Figurehead once it’s time. Tanz/haus : triptych 2017 is a new, concert-length work by master composer James Dillon, which was an immediate hit at its premiere in Huddersfield. It’s a work whose creation Transit are proud to have co-commissioned.
Co-comissioned by hcmf//, Red Note Ensemble, Sound Scotland, Transit Festival and November Music.

Red Note with Garth Knox (viola d'amore)
2018-10-26 19:00 - 21:00 | The Lemon Tree, Aberdeen, AB24 5AT
Scotland’s foremost new music ensemble, Red Note, are joined by acclaimed violist Garth Knox who returns to his childhood hometown of Aberdeen to premiere D’amore by Franco-Argentinian composer Oscar Strasnoy, in the first half of this concert. The second half features the Scottish premiere of James Dillon’s Royal PhilharmonicSociety award-winning work, Tanz/haus: triptych 2017, “a work which immerses its audience in a music theatre of the mind.”
Garth Knox and Oscar Strasnoy will be in conversation during an interval at 7.30pm
D’amore by Oscar Strasnoy was co-commissioned by sound, Red Note Ensemble and Donaueschinger Musiktage.
Tanz/haus: triptych 2017 by James Dillon was co-commissioned by sound, Red Note Ensemble, hcmf//, Transit and November Music.
